You've gotta get it !
A modest stab at revisionism (with poetic license from Sir Paul)
You've gotta get it, mm-hmm
You've gotta get it and you’ve gotta get it good
.....
And that's that,
Unless the world is flat.
Thus sang Paul McCartney in his hit single Get it, released in 1982*. Sure enough, the world of the day was anything but flat.
In fact, the concept of a flat world had been unthinkable, at least since the pre-Copernican Flat Earth notions had been firmly put to rest centuries earlier. The fall of the Berlin Wall and the forbidding Soviet socialist republic were a decade away. Deep in the throes of Cold War posturing, a hapless citizenry had come to distrust - even detest - technology. Perhaps most emblematic of technology in the popular mind of the time was each side in the Cold War boasting about how many nuclear-tipped missiles it had trained on the big cities of the other side. The mere thought of such large-scale destruction was enough to break a cold sweat on the brow of the bravest among us. And it was deplorably wasteful that the best technology – whether hardware, software or brainpower - of the time should be devoted to war games that managed to be at once puerile and petrifying.
Technology’s reputation was at its nadir. And so, it was hardly surprising that one of the big topics of public discourse during the year 1983 was George Orwell’s novel 1984, with its fictional tale of a totalitarian regime using technology to deny the populace the freedom of action or thought. It is a commentary on the mood of the times that people were almost convinced that those events would unfold the following year, and awaited the dawn of the year 1984 with great trepidation!Technology in the flat world: from pains to paeans
A quarter of a century later, technology - particularly information technology (IT) – has taken on much rosier hues. It has been both a cause and a beneficiary of the flattening world. To better appreciate just how technology has benefited everyday life, let us consider its impact on just one industry – in fact, Sir Paul’s own industry of musical entertainment.
The earliest form of music consumption was a fully social experience - the live concert. This was for centuries the only way that music could be enjoyed. The late-19th century invention of the gramophone record allowed people to "own" music, but few could afford these for individual or home use. The radio era, beginning in the 1920s, allowed music to be enjoyed as a social experience. However people still could not own the music, listen to it at will or share it. After World War II, the plummeting price of gramophone records and the availability of inexpensive playback equipment finally brought the ability to own and share music and listen to it at will. However, this was not quite musical nirvana. Tracks were still bundled into albums and it was not possible to own or share music at the level of a song. This constraint remained even as tapes and CDs were invented - only the format changed.
It was only the advent of IT that set music free at the single track level. Treasured songs could now be stored on servers or personal computers, and transferred...to be shared at will? Not so fast! With digital distribution came encumbrances. Commercial interests, backed by legitimate Intellectual Property concerns, frowned upon unfettered sharing of music tracks. The inaptly-named Digital Rights Management (DRM) severely curtailed the sharing and use of digital music tracks, thus denying people the full enjoyment of the music they owned.
However, in the last 18 months, the lustre of DRM** has faded considerably. Steve Jobs has openly denounced DRM in his now-famous memo, Thoughts on Music, saying that less than 3% of songs on the world’s most popular music player, the iPod, were DRM protected, and calling upon music companies to jettison this protection. It has also come to be widely accepted that DRM is easy to circumvent (half the music on mp3 players is unpaid for). By early 2008, all four of the world’s biggest music labels - Sony BMG, Warner, Vivendi’s Universal Music Group, and EMI – had dismantled DRM.
And on April 3, 2008, with 4 Billion songs sold, the iTunes Music Store surpassed Wal-Mart to become the biggest music retailer in the US - the first time in history that a digital music retailer has bested all its physical counterparts.
Digital distribution clearly has, at last, helped people realise the full music experience, and people are voting with their hearts – and their wallets.
And so, here's a bit of tongue-in-cheek, revisionist flat world verse (Sir Paul, hope you will grant poetic licence....)
You've gotta get IT, mm-hmm
You've gotta get IT and you’ve gotta get IT good
Changes wrought by IT in the music value chain
Have been huge, albeit not without pain
But those pains have brought mighty gains
And so to digital we sing paeans
DRM’s dead as a doormat, leaving just memories
‘Twas just an excuse for Digitally Restricting Melodies
A million melodies unchained, echoing free
Born in the flat world for you, me and everybody
You've gotta get IT, mm-hmm
You've gotta get IT and you’ve gotta get IT good
And that’s that
‘Cos The World is Flat !
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* This was Sir Paul in his solo, post-Beatles, post-Wings avatar
** Incidentally, DRM is a classic example of a levee in business.
